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TAGR 2018 audio10/7/2023 On the contrary, it’s the vision of the reemergence of a critical and creative media literacy that, like Anya Major, escapes the forces of control to express disobedient engagement with the media of contemporary society. The exhibition series makes reference to her as a way of remembering and reimagining the rebellious spirit she embodies and took her “miseducation” not as a jeremiad about how she has been deliberately fed with false informations and withheld important knowledge in order to keep her in a subordinate and passive position. Under the main title ” The Miseducation of Anya Major” three different exhibitions engaged with new interpretations of effects, uses and development of contemporary media, investigating questions of knowledge, learning and education.Īs an initial point macintosh’s commercial for their first computer in 1984 was taken, where the actress, and real-life athlete, named “Anya Major” played the heroine. The written words or just letters were screened at the front of the auditorium, so that everyone was able to read the messages, while A Guy Called Gerald was doing the composition.Īfter a miscarried attempt to get conversation through Skype with the infamous Chilean author, comic book writer, esoteric and filmmaker Alejandro Jodorowsky, two sci-fi inspired performances were shown:ĭemdike Stare were appropriating Jodorowsky and Moebius imagery especially for this night.īWPWAP-Back when Pluto was a planet: This years transmediale took Pluto and it’s reclassification as a metaphor for how quickly cultural imaginaries can change and be contested in a world driven by parallel and shifting paradigms. Articulated by the proto-programming language of Morse Code the audience was generating live the Sound via text input, handing around a tablet. “The synchronicity of different temporalities, the increasing blurriness of terms such as near and far, natural and synthetic, and the paradox of simultaneous excess and scarcity are all seen as effects of a dissolution of boundaries fomented by the digitalization of cultural artefacts and their production.”Īt the previous evening Vanessa Ramos Velasquez performed together with A Guy Called Gerald “Coded Narratives” a retro-furistic, campfire type of experience for the audience as active participants. As a collaborative program of transmediale and ctm-festival several audiovisual and audio performances were presented at the Haus der Kulturen der Welt to merge the ideas behind both festival themes:
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